I realised that whilst I’ve been busy having meetings, making plans and thinking forward, I haven’t really shared on my website what I actually DO. Typical, one gets busy doing and forgets to spread the word. And what is my ‘normal’ may not be yours! So here goes, in a nutshell, this is what I/Flow does:
Flow specialises in producing visual arts projects in partnership with major stakeholders, presenting new art in unusual places. Think artworks on beaches, exhibitions in Coastwatch buildings, films in historic stone barns on coastpaths, soundworks emanating from industrial cranes (having a conversation!), performance artists concealed under bridges, casts of quarry walls in forests – anything is possible outside the constraints of the gallery walls.
We work with acoustic specialists, geologists, archaeologists, zoologists, foresters and librarians – opening up visual art to new audiences and innovative ways of perceiving the world around us.
Flow has two key areas of delivery – FCA Projects initiates and delivers scattered-site visual art projects in non-gallery locations with partners, and FCA Advice supports others to do so – either by mentoring artists at ground-level, or by guiding organisations in the processes necessary to develop sound partnerships. Everything Flow does is about collaboration and dialogue and research is at the core of what we do.
We specialise in working with both art and non-art partners to achieve this and can provide a bespoke team to respond to particular requirements of any project. We also have experience of touring, working with strategic partners to tour both existing and newly commissioned contemporary visual artworks. For example, thanks to a grant from Arts Council England, we’re presently in consultation with the Forestry Commission, the National Trust and the Canal & River Trust about a touring programme, which will begin with a period of action research.
We’re always on the lookout for new partners – current conversations include talking with an ethnozoologist; digital locative media producers; land-management organisations, Community Libraries and a writer whose subject area is technobiophilia. We love a challenge!