review of Mycophilia by Louise Short at Ceredigion Museum in Aberystwyth

Please share this with others, it’s such a wonderful show.

Mycophilia is the first of two shows being presented in the Ceredigion Museum temporary gallery space by Short&Forward and runs from April 17 to May 31st 2014. Alice Forward’s exhibition Swarm Society will run from June 12th till 2nd August and her works resonate well with those of Louise. Both make work that explores our relationship with the natural world and expresses their passion for protecting and conserving it for future generations. They share a love of film, mushrooms, bees and life.

Louise Short’s exhibition, Mycophilia, exhibits exquisite casts of fungi and spore prints as filmic objects. In a temporary space next to the Ceredigion Museum in Aberystwyth, she has presented a constellation of 3D snapshots of moments in time and place, captured and recorded in plaster, bronze, paper, paint and spore-dust on paper. The title of the installation, Mycophilia, means the love of mushrooms, likewise filmophilia means a love of films. Spore-dust is an evocative phrase that whispers the story of their process in your ear. On entering the gallery to experience Mycophilia viewers are transported into another world. The prints on paper are trapped underneath glasses, lest they should escape like spiders or wasps, and the science-fiction presence of a constellation of plaster casts suspended in a deep blue universe spans the whole back wall. Ian Banks meets Richard Mabey meets Thoreaux. This installation is both 2D and 3D – filmic and sculptural. It hints at mass fields of growth and microscopic detail. Each trace of fungi reveals its own intricacy and uniqueness – together they are a cosmos.

A love of the process of film and a deep understanding of nature is present in all of Louise’s artworks, but not always in an obvious, cinematic way. Mothshadowmovie (1999, 2000) turned an everyday office overhead projector into a screening device in a woodland – attracting and amplifying the ghostly visits of fluttering moths and slimy snails. For Something Else, her one person show at Arnolfini, Bristol in 1997, Louise cast the tender insides of daffodil trumpets, fixing the voids in plaster. In 2001, in the basement of what is now the Exchange Gallery in Penzance, she filmed the walls of the redundant telephone exchange then re-projected the 8mm footage back onto their surface. The projectors shuddered and rattled, returning life to the abandoned architecture. Feeling Faint created a gentle echo on the walls, the images quivered softly like Narcissus’s reflection on water. In Louise’s work solid things are made ephemeral and transient moments solid. Casting is like a 3D camera, the imprint of the brief moment that the fungus manifests itself above ground as solid matter is caught and made tangible.

The spore-dust deposits fine footprints of the mushrooms reproductive potential, they multiply generously but few will survive the process. Their lives are brief, like stars they appear unexpectedly and disappear suddenly, as if by magic. They are indeed other-worldly without consumption – you don’t need to eat them to be enchanted and drawn in by their hallucinatory nature. In the scale of things humans are similarly short-lived. We make art, we write, we create, we procreate, and every moment is to be noted, considered and experienced in our short lifetime. This exhibition of fungi prompts us to be mindful of this and the artwork is the outcome of a very thoughtful and considered process of walking, meandering and being in the moment.

During Louise’s regular forays through the beautiful Welsh landscape, where she lives and works, she was able to immerse herself in her thoughts of the ephemeral, returning with a record of her journey, on that day, of that place. I must let my senses wander as my thought, my eyes see without looking…Be not preoccupied with looking. Go not to the object; let it come to you…What I need is not to look at all, but a true sauntering of the eye. (Thoreau Journal 4:351) Solitude, silence, no signage, wandering aimlessly, like the rhizome of mycelia that appear as fairy-circles below the surface of meadow grass, Louise reflected upon her roots and relationships, walking random routes through the landscape, meandering, thinking and casting her gaze as she foraged, capturing her fragile trophies to keep.

Fungi is corporeal in nature, soft like flesh, but cold to the touch. Love, tenderness, fragility, vulnerability, the human condition are all here in this exhibition.

 

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Mycophilia by Louise Short in Aberystwyth. Casts of fungi, incredible detail – plaster, bronze & paper

I shan’t write too much here because I am writing a full review of Louise Shorts exhibition ‘Mycophilia’ this week. But I must share some photos to tempt you to go and see this lovely body of work in Aberystwyth. The Ceredigion Museum is using an empty shop next to the museum to show contemporary artworks. (sorry link not working so removed it)

Louise Short, known in Bristol both as an artist and as the curator of Station, has been foraging for months, meandering through the beautiful valley close to her current home in a Welsh valley, contemplating the fragility of nature and capturing the momentary appearance of fungus in many forms. They have an extremely short life span and disappear as quickly as they raise their bodies from below the earth.

So here are some photos to whet your appetite for this renowned source of food and nutrition. Do go and see it if you can, it’s extraordinarily beautiful and thought-provoking.

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Flows first project goes public soon – exciting!!!!

The Cabinet of Local Change is a pilot for a future collection of ‘cabinets’ that will be commissioned specifically with touring in mind. This one is specifically for Forest of Dean residents.

Artist Simon Ryder (artNucleus) was commissioned by Flow Contemporary Arts to create a ‘cabinet’ in some form that could be used to reflect upon changes in the nature of the Forest of Dean, inspired by his own research in this forest and through engagement with local Community Library users. A key part of this process was for it to be made public via blogging.

The cabinet will make its first appearance on Thursday 29th August 2013 – Mitcheldean Library at 2.30pm and Newnham on Severn Library at 6pm.

Simon is concerned with peeling back the narratives from places, people and objects, then weaves  them together into new configurations in the form of sculptures, videos, texts and artefacts. Working together at Mitcheldean and Newnham community libraries, Simon and Carolyn opened up new ways of thinking about how libraries might operate. They shared blogging skills and how technology can provide opportunities for artists to reveal their working methods, as well as inform the making of art – technology and nature combining in the creative process.

Inspired by the symbiotic relationship between trees and fungi in the forest, the outcome is fascinating. It is a unique storage system that appears to grow through the books on a shelf, like an organic extension, with partially enclosed spaces to contain ‘items that signal change’. Modular in its construction and open source (with the 3D templates freely available for download from the internet), Simon worked with the designer-makers at Millar Howard Workshop to produce a cabinet that can be flat-packed down for storage and touring. The cabinet is a portable work – it will make appearances at scheduled times, providing a beautiful and original focus for local discussions about change. To start the ball rolling, the first items to be placed in this cabinet will be printed copies of Simon’s blog, some books that informed his thinking, and a vial of water from St Antony’s well; the remaining spaces are empty, awaiting library users to add their own artefacts.

Flow Contemporary Arts works with both arts and non-arts partners to initiate produce and present contemporary art in unusual locations. Founded by Carolyn Black in 2012, Flow specialises in making things happen through the unique approach of commissioning artworks that respond to place, yet can also adapt to other contexts. If you wish to host or support the work in the future, contact Carolyn@flowprojects.org.uk

The project was supported by the Forest of Dean Local Action Group and the Forestry Commission.

scanning branches with X-Box, photo Chris Morris
scanning branches with X-Box, photo Chris Morris

press image Cabinet on shelf small

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Supported by the European Agricultural Fund for Rural Development: Europe investing in rural areas

and Forestry Commission FC logo_eng_linear_col