review of Mycophilia by Louise Short at Ceredigion Museum in Aberystwyth

Please share this with others, it’s such a wonderful show.

Mycophilia is the first of two shows being presented in the Ceredigion Museum temporary gallery space by Short&Forward and runs from April 17 to May 31st 2014. Alice Forward’s exhibition Swarm Society will run from June 12th till 2nd August and her works resonate well with those of Louise. Both make work that explores our relationship with the natural world and expresses their passion for protecting and conserving it for future generations. They share a love of film, mushrooms, bees and life.

Louise Short’s exhibition, Mycophilia, exhibits exquisite casts of fungi and spore prints as filmic objects. In a temporary space next to the Ceredigion Museum in Aberystwyth, she has presented a constellation of 3D snapshots of moments in time and place, captured and recorded in plaster, bronze, paper, paint and spore-dust on paper. The title of the installation, Mycophilia, means the love of mushrooms, likewise filmophilia means a love of films. Spore-dust is an evocative phrase that whispers the story of their process in your ear. On entering the gallery to experience Mycophilia viewers are transported into another world. The prints on paper are trapped underneath glasses, lest they should escape like spiders or wasps, and the science-fiction presence of a constellation of plaster casts suspended in a deep blue universe spans the whole back wall. Ian Banks meets Richard Mabey meets Thoreaux. This installation is both 2D and 3D – filmic and sculptural. It hints at mass fields of growth and microscopic detail. Each trace of fungi reveals its own intricacy and uniqueness – together they are a cosmos.

A love of the process of film and a deep understanding of nature is present in all of Louise’s artworks, but not always in an obvious, cinematic way. Mothshadowmovie (1999, 2000) turned an everyday office overhead projector into a screening device in a woodland – attracting and amplifying the ghostly visits of fluttering moths and slimy snails. For Something Else, her one person show at Arnolfini, Bristol in 1997, Louise cast the tender insides of daffodil trumpets, fixing the voids in plaster. In 2001, in the basement of what is now the Exchange Gallery in Penzance, she filmed the walls of the redundant telephone exchange then re-projected the 8mm footage back onto their surface. The projectors shuddered and rattled, returning life to the abandoned architecture. Feeling Faint created a gentle echo on the walls, the images quivered softly like Narcissus’s reflection on water. In Louise’s work solid things are made ephemeral and transient moments solid. Casting is like a 3D camera, the imprint of the brief moment that the fungus manifests itself above ground as solid matter is caught and made tangible.

The spore-dust deposits fine footprints of the mushrooms reproductive potential, they multiply generously but few will survive the process. Their lives are brief, like stars they appear unexpectedly and disappear suddenly, as if by magic. They are indeed other-worldly without consumption – you don’t need to eat them to be enchanted and drawn in by their hallucinatory nature. In the scale of things humans are similarly short-lived. We make art, we write, we create, we procreate, and every moment is to be noted, considered and experienced in our short lifetime. This exhibition of fungi prompts us to be mindful of this and the artwork is the outcome of a very thoughtful and considered process of walking, meandering and being in the moment.

During Louise’s regular forays through the beautiful Welsh landscape, where she lives and works, she was able to immerse herself in her thoughts of the ephemeral, returning with a record of her journey, on that day, of that place. I must let my senses wander as my thought, my eyes see without looking…Be not preoccupied with looking. Go not to the object; let it come to you…What I need is not to look at all, but a true sauntering of the eye. (Thoreau Journal 4:351) Solitude, silence, no signage, wandering aimlessly, like the rhizome of mycelia that appear as fairy-circles below the surface of meadow grass, Louise reflected upon her roots and relationships, walking random routes through the landscape, meandering, thinking and casting her gaze as she foraged, capturing her fragile trophies to keep.

Fungi is corporeal in nature, soft like flesh, but cold to the touch. Love, tenderness, fragility, vulnerability, the human condition are all here in this exhibition.

 

20140427-195422.jpg 20140427-195403.jpg 20140427-195345.jpg 20140427-195332.jpg © Carolyn Black 2014

Sisters on Saturday: Symposium at SVA, Stroud. Sue Thomas; Semiconductor: Squidsoup; Simon Ryder The New Natural

new nature

This Saturday 25th May is going to be a very interesting day. As part of the SITE Festival, artist Simon Ryder is hosting a symposium to consider the future of nature – what do we mean by ‘new nature’? Is nature only what we already know of, and some feel, have damaged irrepairably, or might it be something unimagined and unforeseen?

My sister, Professor Sue Thomas, and I, find nothing unusual in such conversations. When I look back at some of the weird discussions and debates we’ve had over the table in the past, I have rarely stopped to wonder whether this is usual family fare. It’s our normal – which is what matters to us.

Intense dialogues about when we are online, do we ‘feel’ we ‘reside’ online? Is virtuality another geography? Where does fact and fiction begin and end? Does it end? We mostly agree. But what do you think?

I’m taking a back seat on Saturday while others enter similar discussions, chaired by Rob la Frenais, of The Arts Catalyst. It will be an intriguing conversation as it unravels the different ways we might consider New Nature.

The New Natural Symposium
Semiconductor, Prof. Sue Thomas and Squidsoup
Saturday 25th May 10.30am-5pm
SVA, 4 John St, Stroud GL5 2HA
Installation Friday 24th-Sunday 26th May

11am-4pm Goods Shed, Stroud GL5 3AP

Book now:

The New Natural is presented by Heart of Wonder in collaboration with SVA, and supported by Alias.

Tickets £12 including lunch and refreshments £20 for weekend inclusive of evening events. See SVA website for more details, or give them a call.

Booking is essential as places are limited 01453 751440 or email office@sva.org.uk

new links to things that I think about a lot lately, technospheres, nature and flow

So many things have inspired my work, it’s difficult to find the space for them all!

Mihaly Czikszentmihalyi asks, “What makes a life worth living?” Noting that money cannot make us happy, he looks to those who find pleasure and lasting satisfaction in activities that bring about a state of “flow.”

Nextnature.net raises some good questions about nature and technology in a non-judgemental way. I like that, no preaching.

This website will radically shift your notion of nature. Our image of nature as static, balanced and harmonic is naive and up for reconsideration. Where technology and nature are traditionally seen as opposed, they now appear to merge or even trade places.

On the nextnature app I found the film Pimp my Planet by Studio Smack. A true inspiration! I find it very powerful – some find it scary, some depressing, but I find it thought provoking. Do we really believe that humans are all powerful? If the planet is badly damaged by us, are we the right people to fix it? Are the countries shifting politically, or maybe physically, as they did when the tectonic plates slipped around? Or during the Ice Age? Are we so detached from the place we live in, that it is no more than a virtual concept? Have we forgotten what it feels like to put our hands in soil, in the ocean, or gaze at the clouds? And importantly, can art in unusual places help us to re-consider the thing we call nature and think of these things in a different way?

Can nature still bring about a state of flow?

And then there’s Technobiophilia by Sue Thomas.

The New Natural Symposium
SemiconductorProf. Sue Thomas and Squidsoup
Saturday 25th May 10.30am-5pm
SVA, 4 John St, Stroud GL5 2HA
Installation Friday 24th-Sunday 26th May 11am-4pm Goods Shed, Stroud GL5 3AP

Modern technology and the natural world are often seen in opposition, the former perceived as either destroying or at least disconnecting us from the latter. So what of a new relationship, a new approach towards the natural world that reconnects us in ways only possible through the use of technology? The New Natural will bring together three people whose work explores different aspects of this question. A day of presentations at 4 John Street, a film installation in the Brunel Goods Shed, interwoven with good food and finishing with an open discussion led by Rob la Frenais of The Arts Catalyst.

The New Natural is presented by Heart of Wonder in collaboration with SVA, and supported by Alias.

Tickets £12 including lunch and refreshments £20 for weekend inclusive of evening events. Booking is essential as places are limited 01453 751440 or email office@sva.org.uk